Cannes 2023: Wes Anderson’s Asteroid City set in the 1950s talks about lockdown
Wes Anderson’s Asteroid City – working for the Palme d’Or at the ongoing 76th Cannes Film Festival – is set in the mid-1950s in the center of American desert. The place is often known as Asteroid City, as a result of hundreds of years in the past a meteorite landed there. Or so everybody believes. Presently, the metropolis is the place a US Government observatory is situated. It can also be the place the place teenagers assemble to stare upon the sky. Often mother and father come together with them. (Also learn: Cannes 2023: Jude Law wore ‘smelly perfume’ to play King Henry VIII in Firebrand)
The plot
On one such session, when the kids and their mother and father assemble, mushroom clouds seem on the horizon as if an atomic bomb had gone off. The American President decrees that none ought to depart the metropolis nor enter it. It is a daunting lockdown in a film that has an ensemble forged of Tom Hanks, Matt Dillon, Scarlett Johansson and others.
At at press convention which adopted the screening, the stars turned up in their full power. Johansson, who performs 1950s film star Midge Campbell in the movie, was stuffed with reward for Anderson’s creation. He had a singular approach of labor, like in a theatre, in a communal approach.“It is not the familiar process of being on a sound stage and going to your trailer and have all this downtime, which eats up the momentum. It feels very vibrant much like you are working in theatre,” she stated.
Cast praises Anderson
Actor Jeffrey Wright praised Anderson’s unimaginable effectivity, “Every shot in his movies was carefully planned and storyboarded ahead of time, in little cartoons that Anderson produces, where the director voices all the characters himself”.
Actor Jason Schwartzman, who performs Augie Steinbeck, a lately widowed warfare photographer, felt “Anderson’s curiosity had been the driving force of his entire career….“I was 17 when we met [on 1998’s Rushmore] and he was the first person that wasn’t in my family that was over the age of 20 that actually asked me a question and cared what I said and was curious about what I was interested in. My feeling is that’s why we’re all here. Because [Wes] wants to know about all of us and he’s curious and he always sees things in us we do not see.”
Bryan Cranston, who essays a Playhouse 90-type tv host in a black-and-white gadget inside the film, defined the complicated story-within-a-story-within-a-story plot. “It’s a movie about a television show doing a story on a theatre. And I think it’s Wes’ love letter to performance art. He’s wrapped his arms around the three major mediums we are involved in.”
“We all live in Anderson’s world. It feels like he is a conductor of an orchestra. And all of us are players of our particular instrument,” stated Cranston. “We hyper focus on our instrument and just present it without really knowing exactly how it’s all going to piece together. And he conducts — a little less Bryan, a little more Scarlett at this moment, or whatever, making the adjustments as he goes. There’s a part [in Asteroid City] where Augie goes in and talks to the director and says ‘I just don’t think I understand the play.’ And the director says ‘Well, you don’t have to, just keep telling the story.’ And I think that, in a nutshell, is what the film meant to me. We go through life. We don’t know exactly what’s going to happen, how long our lives will be, who will be in our lives, how it’ll all play out. We just have to keep telling the story. Just keep moving forward, and and be a storyteller.”
The Festival ends May 27.